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T.C. Boyle StoriesBy T.C. Boyle
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Gathered into one volume, the first four short story collections of T.C. Boyle, winner of the 2015 Rea Award for the Short Story
T. C. Boyle is one of the most inventive and wickedly funny short story writers at work today. Over the course of twenty-five years, Boyle has built up a body of short fiction that is remarkable in its range, richness, and exuberance. His stories have won accolades for their irony and black humor, for their verbal pyrotechnics, for their fascination with everything bizarre and queasy, and for the razor-sharp way in which they dissect America's obsession with image and materialism. Gathered together here are all of the stories that have appeared in his four previous collections, as well as seven that have never before appeared in book form. Together they comprise a book of small treasures, a definitive gift for Boyle fans and for every reader ready to discover the "ferocious, delicious imagination" (Los Angeles Times Book Review) of a "vibrant sensibility fully engaged with American society" (The New York Times).
From the Trade Paperback edition.
- Sales Rank: #533564 in eBooks
- Published on: 1999-11-01
- Released on: 1999-11-01
- Format: Kindle eBook
Amazon.com Review
Skinny, earringed, satanically goateed, T. Coraghessan Boyle is the trickster figure of American letters. Part court jester, part holy fool, he slips in and out of various narrative disguises as it suits him. Nowhere is this more evident than in his short fiction, in which he bounces from psychological naturalism to giddy slapstick, dreamy surrealism to biting satire--sometimes within the space of a single tale. The sprawling and idiosyncratic T.C. Boyle Stories brings together his four previous volumes of short fiction, Descent of Man (1979), Greasy Lake (1985), If the River Was Whiskey (1989), and Without a Hero (1994), as well as seven previously uncollected stories, two of which have never before seen print. In both range and sheer heft, it's a remarkable collection, the more so since it represents an artist only midway through his career.
These stories find Boyle partying like it's 1999. He zeroes in on our age's most uncomfortable obsessions, its late-capitalist fetishes and millenarian fears: nervous Los Angelenos suckered into buying a Montana survivalist's retreat ("On for the Long Haul"); a hygienically obsessed girlfriend who insists on wearing a full-body condom ("Modern Love"); a rich, guilty couple suffocating under the weight of a lifetime's possessions ("Filthy with Things"). Elsewhere, he updates Gogol for late Soviet times ("The Overcoat II"), retells the death of blues god Robert Johnson ("Hellhound on My Trail"), even goes clubbing with that hot '90s property, the author of Mansfield Park ("I Dated Jane Austen"). Boyle's comic range is unparalleled, his timing razor-sharp as he skewers everyone from burglar alarm salesmen to the Beats. Like all tricksters, the author uses our own vanity and hypocrisy against us--but with barbs as witty as those found in T.C. Boyle Stories, not even his victims will mind. --Mary Park
From Publishers Weekly
A premier practitioner of short fiction, Boyle (Water Music) gathers two decades worth of work in one volume of almost 70 stories, adding seven pieces (three previously unpublished) to the contents of his previous four collections. The entries are organized thematically, evenly divided among "Love," "Death" and "And Everything In Between"; thus chronology is jumbled and early pieces flank more recent ones. The "Love" stories are so polished and sophisticated they all but glitter. In them, very often a hapless male, modestly hoping merely to get laid, encounters an obsessed woman and finds himself eventually undone. Sex itself is not especially important to Boyle, but obsession is. Obsessions of one sort or another (animal activism, germophobia, Elvis, frogs, squirrels, whales) inform these stories, which sparkle with wicked wit and exuberant prose. The last "Love" story serves as a sad transition to the tales of "Death." "Juliana Cloth" chronicles the way a sexually transmitted virus decimates an African town, and a girl goesAknowinglyAto an embrace that will kill her. The cumulative effect of the "Death" section, though, is numbing, repetitiously grotesque and finally gratuitous. However, the collection's texture quickens in the last section, "And Everything In Between," a potpourri of chilling fables. Throughout Boyle's work, real people (Eisenhower, Khrushchev, Carry Nation, Robert Johnson, Mao, Jack Kerouac, Jacques Cousteau) appear in narrative out-takes that are invariably amusing and, like Boyle's more serious work, mordant, worldly and irreverent. Author tour.
Copyright 1998 Reed Business Information, Inc.
From Library Journal
This retrospective collection assembles all the short fiction of California postmodernist Boyle, including some early magazine work that has not previously appeared in book form. The tales are arranged thematically instead of chronologically, in three broad categories: "Love," "Death," and "And Everything in Between." Most are lightweight riffs on pop culture icons in the tradition of Max Apple's The Oranging of America (1976). In "I Dated Jane Austen," from 1977, the tee-shirted narrator chauffeurs Miss Austen to a punk club in his Alfa Romeo. "Beat" (1993) imagines Jack Kerouac and his mother sharing a bottle of Mogen David wine and listening to Bing Crosby records on Christmas Eve, 1958. "The Rapture of the Deep" (1995) is the story of Jacques Cousteau's mutinous galley chef. Boyle works in the self-consciously hip, name-dropping style of Jay Leyner and stand-up comedian Dennis Miller. Unfortunately, the thematic grouping used in his anthology emphasizes the formulaic aspects of Boyle's fiction and makes its manic inventiveness seem forced and predictable. Libraries with any of Boyle's earlier story collections can skip this one.
-?Edward B. St. John, Loyola Law Sch. Lib., Los Angeles
Copyright 1998 Reed Business Information, Inc.
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